Category Archives: Going Solo

Delve into Roots Music History at the River Music Experience

story and photos by Kayte Deioma

Entrance to the River Music Experience, Davenport, IA“You are standing at the crossroads of American Roots Music” are the words emblazoned under your feet as you step into the River Music Experience.

The River Music Experience (RME or RMX), provides a connection between the history of American music genres, the Mississippi River and the thriving music scene of today’s Quad Cities. This red brick building in downtown Davenport, Iowa, two blocks from the Mississippi river, is a café and live music venue downstairs, with a museum, bar and additional performance space up a wide open dual staircase.

Giant guitar frets adorn the hardwood floor of the River Music ExperienceMojo’s Café is an intimate corner in the front of the building separated from the first floor gallery by a stretch of hardwood floor designed to resemble the frets on a giant guitar. A stage in a windowed corner showcases local musicians for café patrons and provides an enticing view to the street to tempt passersby. If your timing is right, you might catch one of the lunchtime or evening performances that include poetry and theatre readings as well as scheduled music acts and an open mic night.

At the back of the first level is the ticket desk, gift shop and several walls of exhibit space for rotating exhibits.

The River Music Experience, Davenport, IAIf there’s no music playing downstairs, you can always get an earful upstairs. Interactive multimedia “Ear Ports” let you don headsets and immerse yourself in whatever kinds of River Music interests you. From rockabilly to ragtime, gospel to blues, country to rock-n-roll, boogie-woogie to bluegrass, the history of American music is told in text panels, video clips and in the voices and instruments of the musicians who experienced the birthing pains.
An Ear Port at the River Music ExperienceYou define your own listening and viewing experience by navigating your way with a track ball to select stories or music clips by region, by decade, by genre or by artist. If you’re the kind of person who gets sucked into all the music documentaries on PBS and the Learning Channel, you could be lost in here for days. There are over 300 interviews and 1000 audio files woven into the multimedia system.

A model of the SS Capitol at the River Music ExperienceThe role of riverboats in disseminating new music styles along the Mississippi River is thoroughly explored from the calliope to African American hot-dance jazz. Separate kiosks let you explore music history by regions. Learn about Sam Phillips and the Sun Studio in Memphis, or listen to Louis Armstrong talk about jazz in New Orleans. Since not all American musical development occurred along the Mississippi, there’s a station dedicated to “Beyond the River” as well.
Charlie Daniels' exhibit at the river Music ExperiencePhotos, record albums, musical instruments and other artifacts adorn walls and fill glass cases. A Wah Wah pedal alleged to have been used by Jimi Hendrix, is presented next to the program from his performance in Davenport. Nearby you’ll find Charlie Daniels’ fiddle bow, a saxophone autographed by Bill Clinton, and a 1986 Les Paul guitar signed by B.B. King.
Tribute to hometown music legends at the River Music Experience in Davenport, IASignificant real estate is rightfully given to 1920s jazz cornet phenomenon Bix Beiderbecke, for whom a Quad Cities jazz festival is named, as well as home-town music masters Francis Clay, Louis Bellson and Pat Patrick.

In addition to the exhibit space, the Redstone Room is a full bar upstairs open only for scheduled performances. The exhibit spaces are free to explore whenever the Mojo Café is open.

The River Music Experience

131 W. 2nd Street
Davenport, IA 52801
(563) 326-1333
(877) 326-1333 toll free
www.rivermusicexperience.org

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Dialogue in the Dark: Envisioning a World Without Sight

story and photos by Kayte Deioma

My foot tentatively follows the unfamiliar cane, testing the ground to feel where the dirt path gives way to lawn. I brush against a tall bush and reach out to touch the waxy leaves with my fingers. Birds chirp somewhere nearby and the scent of earth and grass reach my nose. In a suddenly dark world, I find myself in what feels, smells and sounds like a garden or a park.

Hyper-aware that my cane keeps bumping into other people, I follow my guide’s voice until I am through the park. The sound of traffic rushing by on a busy street makes me stop. My cane finds the curb, bumping into a car and a bicycle before I reach the solid pole holding the traffic signal, which, my instructor assures me, will indicate when it is safe to cross.

Dialogue in the DarkI am learning to navigate a sightless world at Dialog im Dunkeln (Dialogue in the Dark) in Hamburg, Germany, where blind guides lead sighted visitors through invisible, yet multi-textured environments inside a converted coffee storeroom in the Speicherstadt (Warehouse District). The exhibit is designed to increase awareness among the mainstream population of the challenges of disability, while at the same time demonstrating that for the disabled, the world is not “less,” just different.

My visually deprived comrades on this journey are a group of American students on a German study program and my friend Birgit, who lives in Hamburg. Since we are all equally impaired, no one objects too much as we bump into each other feeling our way along an exterior wall and window into our next destination.

The aroma of cloves and cinnamon fill my nostrils as I enter. My fingers explore piles of burlap sacks filled with what? Coffee beans? Peppercorns? Birgit calls me over to some kind of raised pedestal, where my hands find bowls of powder. This is where the cinnamon smell is coming from. We are in a spice warehouse.
Teens exit the pitch black exhibit into the bright lobby at Dialogue in the Dark.The student group has booked the short tour, so it is just Birgit and I who continue with our guide, Brita, out into the cool air, across a wobbly bridge onto a waiting boat. We can hear the water lapping and smell the sea air as we feel our way to a bench at the side of the boat.

I reach my cane over the side and splash it around to assure myself there is really water there. I know we are still inside the warehouse, but the sense of being out on the water is incredibly real.

The wind picks up and I am splashed by the spray as the engine starts, the boat rocks and we take off on our excursion. Brita tells us about the ships we are passing in port. She also describes the Ferris Wheel, tents and hoards of people gathered for the Harbor Festival, which I had seen for myself out in the real world earlier in the day, but now perceive only from her word pictures.

We disembark to a brief interlude of musical immersion, and then adjourn to the bar, where we have our coins ready to buy soft drinks from the blind bartender. I trust that he counts the coins correctly. My fingers are not familiar enough to make out the denominations of the Euros.

Seated at a low table, over bottles of Fanta that taste like Sprite (has someone played a joke on the bartender, or on us?), we have a chance to talk with Brita about her blindness and functioning in the world without sight. This opportunity to openly discuss what some would consider a sensitive subject is just one more dimension to our immersive experience, and does create a real dialogue in and about the dark.

Entrance to Dialog im DunkelnDialog im Dunkeln originated in Hamburg in 1988. Since then, they have created permanent or temporary exhibits in over 130 cities in 20 countries, providing more than 5000 jobs for the blind.

Dialogue in the Dark also offers special programs including “Dinner in the Dark,” “Blind Passenger” and on-location leadership training workshops “In the Dark.”

Reservations are required. Visit http://www.dialogimdunkeln.de/prehome_en.htm for more information.

Dialog im Dunkeln
Alter Wandrahm 4
20457 Hamburg
Booking line: 00 49 (0) 700 44 33 2000

The Musical Instrument Museum

story and photos by Kayte Deioma

A true gem on the Mont des Arts in Brussels is the Musical Instrument Museum (MIM), home to one of the largest collections of musical apparatuses in the world. Founded in 1877 as part of the Royal Museums of Art and History, the museum moved into the former Old England department store, an 1899 masterpiece of Art Nouveau architecture, in 2000. Twelve hundred of the 7,000 instruments in the collection are on display at any given time.

The instruments are labeled in Dutch and French. I was told there was a printed English language guide to help you navigate the museum, but they were all out of them. You can still enjoy the museum without understanding the descriptions since included in the price of admission is an infrared audio tour that plays the music of over 200 of the instruments when you stand near the designated headphone icon.

Listening to the rare and exotic instruments while admiring their artistry and craftsmanship becomes a more sensory experience when there’s no intellectual information to clutter the mind. You can experience the drone of Tibetan trumpets and the sinewy tones of serpent-headed Russian clarinets. In the keyboard section you can hear the difference between the harpsichords, spinets, virginals, clavicytheriums, clavichords and fortepianos.

Strings are also well represented with the work of some the best known luthiers, as well as many one-of-a-kind creations. Examples of stringed instruments from five continents can be compared from ancient times to the present.

Restoration workshops for keyboards and stringed instruments are integrated into the exhibit galleries and show the tools and processes of instrument construction and repair.

You can see a wide selection of brass horns developed by Belgian musician and inventor Adolph Sax, best known for designing the instrument that was to become known as the saxophone. In another direction, you’ll find the evolution of the bagpipe through different cultures around the world.

As if the music weren’t enough of a draw, the view of Brussels from the arched Art Nouveau windows in the 6th floor restaurant shouldn’t be missed. You can go up to the restaurant even if you’re not visiting the museum itself

MIM offers a series of concerts in their auditorium. On the first Wednesday afternoon of the month, the museum is free to the public and also presents a selection of live musical presentations in the exhibit galleries. They also offer family concerts on the free Wednesdays.

English-speaking tour guides can be hired by appointment for general or specific themed tours of MIM.

The Musical Instrument Museum
Montagne de la Cour 2
1000 Brussels, Belgium
General Information: (0) 2. 545.01.30
Groups: (0) 2. 545.01.53
www.museedesinstrumentsdemusique.be