story and photos by Jamie Rector
Detroit isn’t known as an arts Mecca, but it has plenty of art around to appreciate, from the classics to the avant-garde. From the centuries of fine art on display at the Detroit Institute of Arts to the diversity of vendors at the Artist Market – established in 1932 and still going strong – to newer clusters of galleries springing up in nearby Wyandotte, Detroit has a long history of art appreciation and production.
One form of artistic expression truly unique to Detroit is The Heidelberg Project. This 20-year-old controversial art collection is an outdoor gallery that 
covers one block in a low-income residential neighborhood. Some people love it and some hate it, but either way, it’s worth a look to see what everyone is talking about. The controversy has contributed to making it the third most visited site in Detroit.
On a rainy day, it can be seen from your car, but if the rain lets up it’s best to walk through the neighborhood. Wild exhibits are splashed in an array of vibrant colors across the houses, lawns and pavement of Heidelberg Street. Discarded items, found by artistTyree Guyton, his late grandfather and former wife Karen Smith have been reborn as part of their imaginative creations.
Polka Dots are splashed all over the run down neighborhood. The dots symbolize the various races of the world coming together. Houses are decorated in themes. The various exhibits represent the human condition with seemingly random pieces of junk; Stuffed animals, furniture, shoes, vacuum cleaners
you name it, it’s in there somewhere. If it’s not there, I’m sure it could easily be incorporated. Make sure you look for the series of faces around the neighborhood representing the diversity of the faces of God. The faces are painted on car hoods and have been exhibited in other locations as The Painted Hoods of Tyree Guyton.
The Heidelberg Project provides after-school art education to neighborhood children and has driven most of the illegal activity out of the neighborhood by making it impossible for them to do business under the scrutiny of hundreds of visitors a day. The City has demolished several of Guyton’s creations over the years, which was easy for them to do since the houses were abandoned and derelict City-owned properties before Guyton started working on them. Simultaneously, City art institutions and the international arts community have bestowed upon Guyton a variety of prestigious arts awards and the artist has appeared on Good Morning America and Oprah to talk about the project.
The Heidelberg Project is still surrounded by abandoned and overgrown properties owned by the City of Detroit, but the non-profit Heidelberg Project is working to reclaim the neighborhood one house at a time.
Heidelberg Project
3680 Heidelberg St
Detroit, MI 48207
313-537-8037
www.heidelberg.org
The Biodôme is a unique concept that combines properties of a natural history museum, zoo and aquarium. Created inside the velodrome from the 1976 Summer Olympics, this “House of Life” recreates four different ecosystems of the Americas, each with appropriate climate and inhabited by thriving flora and fauna.
Because the world’s rainforests, although covering only 7 percent of the earth’s surface, contain over half of all known plant and animal species, theTropical Forest is the largest ecosystem in the Biodôme. It is based on a Costa Rican rain forest with an average temperature of 82 degrees with 70% humidity. There are over 1000 plants of 400 species including strangler figs and other trees that have to be trimmed to keep them from breaking through the glass roof. The 8500 square feet (2600 sq meters) in the Tropical Forest is planted in three different growth phases from new growth, which 
easily allows the light to filter through to old growth, where the tops of the trees block the sun.
The Laurentian Forest is a native of Quebec’s Laurentian Mountains, so it’s not transplanted far from home. With a combination of deciduous and conifer trees, this ecosystem changes most with the somewhat altered artificial seasons. In this idealized climate, spring comes early and winter is a balmy 54 degrees (12 C) during the day and 39 (4-5 C) degrees for 8 to 12 weeks of nights. The sugar maples and yellow birches here change color in fall and lose their leaves in winter, but it only snows in the Polar exhibit.
The St. Lawrence River is the southern waterway defining the island of Montreal, so this ecosystem is right in its own neighborhood. The exhibit recreates the underwater environment in a 2.5 million liter (650,000 gallon) saltwater tank filled with hundreds of fish from salmon to sharks.
The Rocky Shore area is filled with a garden of invertebrates. Rock crabs crawl among the colorful green sea urchins, bright orange northern sea anemones and fuzzy sea peaches. You get a unique view of the underside of star fish and other creatures who have taken up residence on the glass wall.
The final and smallest ecosystem of the four is the Polar World, which is divided into subarctic and subantarctic zones. There are no plants here. The subarctic habitat represents the Labrador coast with its rocky shore. It is populated by puffins, guillemots and other auks. The auks look like they should be related to penguins, but they are a different species, which, unlike their southern counterparts, can actually fly.
The subantarctic zone is home to 40 different kinds of penguins. There is a glass corridor which separates you from these two chilly climates and separates them from each other. The auks’ habitat is kept a mild 54 to 59 degrees (12-15 C), while their less-flighty neighbors prefer it just above freezing so they can play in the man-made snow. About 20 auks and penguins are born here every year. You’ll find the auks raising their chicks in August and the penguins hatching in November and December.
Hour-long audio guides are available in English, French and Spanish. The Biodôme has a gift shop with a great selection of educational toys, games, artifacts and activities in French and English. There is also a snack bar and a cafeteria.
Many cities around the world have created connecting passageways to allow people to walk between buildings protected from the weather. These range from a few shopping galleries extended from a subway station to miles of underground tunnels or above ground skywalks. Montreal has the distinction of having the longest system of interior passages in the world. Officially christened the RESO, a transliteration of the Frenchréseau, meaning network, the 20 miles (32 km) of underground tunnels and ground-level interior walkways connect hotels, apartment buildings, offices, shopping malls, movie theaters, supermarkets, restaurants, museums and local, regional and national train stations.
The RESO is not only the longest indoor pedestrian system, it is also used by more people than any other in the world. During rush hour, the corridors between office buildings and metro stations are swarming with commuters. Weekends, the high traffic areas are the shopping and entertainment centers. However, in off-peak hours, especially if the weather is fine, foot traffic is sparse. The entire web of passageways is monitored by video cameras to keep the area secure.
out in a U. The network will be even more user-friendly if they complete the proposed connection of the Place des Arts and the Bay ( La Baie)department store, which would link the top ends of the U, turning it into an O allowing you to circle around in one direction. As it is, most of the hotels are at the bottom of the U, so to see the sights at the top of both branches, you have to walk outside for a few blocks, take the metro one stop or retrace your steps the long way around.
The Hyatt Regency Hotel is an exception. It is located at Complexe Desjardins at the top of the right branch of the U, which also includes office towers and a shopping mall. Complexe Desjardins is linked to the Place des Arts. This visual and performing arts complex was built in the 1960s and expanded in the 1990s. It includes five performance halls and theMuseum of Contemporary Art, all accessible from an indoor atrium. With 2900 seats, the Salle Wilfrid-Pelletier, is the largest multi-use concert hall in Canada. It is home to the Opera of Montreal, the Montreal Symphony Orchestra and Les Grands Ballets Canadiens de Montréal. The smallest of the concert halls, the Cinquičme salle or fifth hall, never got a proper name. It is easy to locate by the scattering of backwards 5s on the floor leading to the entrance.
The above-ground square surrounded by these arts institutions is the venue for many of the summer arts events like the Montreal Jazz Festival and the Francofolies French music festival. From the indoor Place des Arts, you have a view through glass of sculptures that are in the outdoor courtyard as well as a variety of interior public art and pieces that are a bit of both. Claude Bettinger’s cylinder of curved glass panes reaches above the ceiling to create a unique skylight and a view into the world outside. If you look closely, you can see the reflection of words etched in reverse: L’artiste est celui qui fait voir l’autre côté des choses(The artist is one who makes you see the other side of things).
wood and metal signs and panels. If you happen to come by on a winter Monday when the museum is closed, you can get a taste of what’s inside at the museum gift shop La Boutique, which is open seven days.
station, which in turn continues to the Palais des Congrčs (Convention Center) in the International Quarter. The Palais des Congrčs expansion was completed in 2002, followed shortly thereafter by completion of the neighboring Caisse de Dépôt building. The two buildings and the park in between now cover the Autoroute Ville-Marie (720), a 10 lane highway which previously separated Old Montreal from Downtown. Now it’s an easy walk from the International Quarter to the old city, although the interior passages stop just short and you have to go the rest of the way outside.
Each of the four façades of the Palais des Congrčs shows a different view to the world. Its interior features include the Lipstick Forest art installation of mock tree trunks painted lipstick pink and the multicolored windows facing Place Jean-Paul Riopelle that create rainbow squares across the escalators and floor when the light hits just right. This gives the building a very cheerful face from the outside as well.
From the Palais des Congrčs you can cross underneath the Place Jean-Paul Riopelle toward the Caisse de Dépôt building or toward the Montreal World Trade Center (Centre de commerce mondial). Neither one of these corridors are lined with shops. They each have their own design personality and incorporate features designed to make them feel more open and less claustrophobic.
The Caisse de Dépôt et du Placement (CDP) Capital Centre, which was completed just after the convention center expansion, looks like a rather severe glass rectangle from outside. But the ecologically evolved edifice is actually a suspension bridge over the freeway supporting nine stories of offices. The giant 96-foot white cylindrical steel beams supporting the glass structure crisscross the atrium creating a striking pattern along the length of the building. The CDP is the branch of the Quebec government that manages the state’s pension fund, so that’s really a security desk in the lobby, not just a receptionist. A photo display shows how the building was constructed over the freeway.
There used to be a gap between the Palais des Congrčs and the Montreal World Trade Center, but the recent additions have connected the two, finishing the bottom of the U. The newest halls incorporate public art as well as installations sponsored by various Montreal art museums.
An escalator leads down to shop level where you’ll find an information desk, a few shops, a food court and a piece of the Berlin Wall. At the far end, the complex incorporates the Nordheimer Building, built in 1888. In front of it is a glassy 18 th century fountain by French architect and sculptor Dieudonné-Barthélemy Guibal.
Another interesting spot worth visiting on the underworld web is thePromenades Cathédrale, a shopping mall built below an 1857 Cathedral. It is located toward the top of the left branch of the U near the McGill metro station. In the 1980s, the Christ Church Cathedral didn’t have enough money to do necessary repairs to their tilting tower, so they entered into partnership with a real estate developer to generate income. They created the KPMG Tower, a 35 story sky scraper, which reflects the cathedral, both in its glass façade and in its architectural details. Then they dug out from under the Cathedral and supported it on columns while 
constructing an underground shopping center beneath. During this development, the Cathedral was in continual use, with the faithful entering the church via a footbridge. The rectory was dismantled stone by stone to make way for the tower to be built; then reassembled. It now houses Le Parchemin Restaurant. A photo display documenting the construction progress can be seen in the shopping passages below. A souvenir foldout booklet with photos and descriptions of the process can be obtained for free at the information desk.
Beyond the central segment of the Underground City, other clusters of interconnected passages can be reached by riding the Metro for a few stops. Maps of the RESO can be obtained from most subway stations and hotels or downloaded from the internet. The underground network is also usually indicated on most maps of the downtown area.